A Ghost in My Suitcase by Gabrielle Wang

There’s just the right amount of spookiness to enthral but not scare a young audience.Ī multi-generational show that explores cultural identity, A Ghost in my Suitcase is beautifully realised in theatrical form.'We've got a responsibility, in giving people some of their first theatrical experiences, to represent lots of different perspectives,' he says. Particularly impressive are the lighting effects when the disgruntled ghosts are felt and heard. It’s a cohesive mix of realism and fantasy. Celeste, who starts off as rather timid and unsure of herself, particularly against the more aggressive Ting Ting, grows in self-belief and confidence as she becomes unwittingly involved in, and an integral part of family tradition.Īll the actors perform admirably and there are martial arts and eerie song as part of the ghost-fighting repertoire. It’s also a tale of (female) empowerment.

It’s a tale that roams as restlessly as those unsettled souls who haunt the living and covers themes of grief, familial respect and rivalry, blood and non-genetic ties, loyalty to one’s roots and a letting go of the past. So, elaborate and ancient building facades as well as busy canal scenes are shown as the characters move from scene to scene. The set is simple but effectively organised: there are blocks of varying sizes upon which video images are portrayed. A Ghost in my Suitcase deals with unresolved tension in past and present guises. In a rarity for Australian theatre, the cast is all Asian, though Celeste happens to be ‘half-Chinese, half-French and all Australian’ and her multilingual ability stands her in good stead in one case of ghost-human communication. This singular gift is passed down the matriarchal line. But it’s a slow getting of wisdom for our heroine, who only gradually learns she may have inherited the gift of ghost hunting. The title of the book/play offers a portentous clue of the contents and yes this is a show about ghosts, in particular the chasing and exorcism of them. There she encounters a truculent rival of sorts, her grandma’s ward TIng Ting (Yilin Kong). This play by Barking Gecko Theatre focuses on adolescent Celeste (Alice Keohavavong), lovingly nicknamed Little Cloud by her grandma Por Por (Amanda Ma), as she travels from homeland Australia to motherland China, to return her mother’s ashes.

Barking Gecko Theatre’s A Ghost in my Suitcase.

A Ghost in My Suitcase by Gabrielle Wang